Cisco Global Television's goals were to create a high volume of video content without increasing headcount, accelerate the broadcast engineering workflow, and save time and money with the ability to locate existing video content easily.

To double its content output while enabling production teams to collaborate and contribute from any location

When Swiss Italian language broadcaster RSI (Radiotelelevisione svizzera di lingua italiana) needed to overhaul its approach to media assets and editing, it found a unique challenge.

Like any media company, NENT Group has a critical requirement to store, access, repurpose, and archive its tremendous library of video assets. Previously, NENT teams operated without an automated capability for media asset management (MAM), instead having to search manually through thousands of folders on siloed computers.

To transform the way Non Stop interacts with its customers and to make production and postproduction workflows more professional, secure, and efficient.

The Organization of American States (OAS) is the world’s oldest regional organization, dating back to the turn of the century. The OAS was established to promote solidarity, to strengthen collaboration, and to defend territorial integrity. Today, it brings together all 35 independent states of the Americas and is the premier regional forum for political discussion, policy analysis, and decision-making in Western Hemisphere affairs.

VICE Media, based in Brooklyn, NY, is a multinational media organization that delivers topical content aimed at Millennials utilizing a variety of distribution platforms that include print, broadcast and online. To meet the requirements of such a demanding audience, VICE Media turned to Primestream to create a high performance, cloud-based and on premise (hybrid) platform for global asset management, archiving, content contribution, production and distribution.

New World Symphony turned to Primestream for solutions that would improve collaboration across departments, automation of manual processes, add consistent metadata capture and protection through the media lifecycle as well as non-linear editing integration, archiving and distribution workflow.

USC Annenberg communication and journalism students now share a new common workspace in the Julie Chen/Leslie Moonves and CBS Media Center at USC’s Wallis Annenberg Hall. Rising from the center of the USC campus in Los Angeles, the building’s collegiate Gothic exterior gives way to a Greek assembly-style forum, and a 30 foot digital media wall that greets visitors with a real-time feed of student-created programming.